...BS.
In my latest NigeriansTalk.org post (yes, I'm blogging by proxy), I argue that the fact that we have a motive for the death of Grace Ushang, but no perpetrator, fosters the idea that Ushang is somehow a player in her own demise. Grace Ushang, may her soul rest in peace, died because some sick person decided to brutally violate her. Her rape and eventual death was not committed in defense of Allah or in adherence to shar'ia law. The fault of Ushang's rape and murder lies wholly on the perverted mind of the rapist and not her khaki trousers.
The fact that there is an excuse being circulated as to why Ushang was attacked so ruthlessly is a glaring indictment on our nation’s view of rape and other violent acts committed against women. We all know, (minus Senator Ekaette), that the worn-out excuse of ”her trousers (skirt, blouse, what-have-you) made me do it” is a pretty pathetic explanation for anything. However, the fact that we even try to explain away such heinous crimes is orders of magnitude more pathetic. Any explanation for rape other than the rapist is, truly, a sick bastard, directly or indirectly shifts blame to the victim. If such is not the case or intention, blaming Ushang’s khakis is some twisted means by which to rationalize the brutality of the crime. Needless to say, I don’t buy into either – blaming the victim, nor tempering the barbaric nature of the crime with some careless explanation. Let’s call a spade a spade – wonton violence is wonton violence and can only be perpetuated by the vilest of the vile.When Director-Generals of NYSC call for corpers to be more "security-conscious," mothers ask their daughters to bear with it, or Senators set out to legislate lengths of skirts, there is a underlying blame-the-victim mentality that is being perpetuated. Sexual assault and domestic violence, again I reiterate, are reflective of the batterer, and not victim.
by the way, this blog endorses Barack Obama as the Democratic presidential candidate - just thought I would get it out there.
Beyond policy, commitment to change, his anti-Iraq War stance, and the fact that Clinton will "fire up" the Republican base, I have decided to back Obama because he represents many first-generation Americans who are doing big things. I mean, what can be bigger than running for the presidency against the Clinton machine (note, I used to support the Clinton/Clinton ticket....how I changed, na long story....will explain another day).
And for many African Americans, the choice is sometimes based on the fact that they would like to see one of their own in the White House as well. I sort of assumed that this would be true for most who consider themselves Black (though let me add, that I have nothing against those who think otherwise...and I )
Anyway, this assumption was questioned when I caught some of the commentary of Ohioans during their primary last week. A black female (can't remember her name) said she was voting for Hilary because according to her, "she is a woman first and an African American second..."
My initial reactions to these comments were that this woman has imbibed the unpopular stance of "betraying the race." However, as i thought more over this woman's comments, I began to realize that she is not alone, that there are several black women - African and African American - who have often chosen gender over race. For example, one person that easily comes to mind is Alice Walker and her classic novel, The Color Purple. Many in the black community felt that she weakened the fight against racism in order to pursue a feminist agenda. I guess an African example would be women who fight against female circumcision at the risk of portraying their people in a bad light. Or, to bring it home, my post on misogyny in African music. Sometimes in the course of pursuing Africanism (if there is such a word), feminist issues can be sidelined.
I have not yet sat down to think of who I am first - a woman or a member of the African diaspora. I would think that I am first an African and then a woman therefore countering this woman's statement. And in regards to females that I admire that I mentioned in my first post on african feminism, I have a feeling that they would also take the same stance as well. I, admit, I have not read much on african feminist theory, but I wonder if that is the point of african feminism - to put the african back into feminism as opposed to putting infusing feminism into africa. Or rather, as I hope to do, find a balance between the two. Once again, thoughts on which you consider first - africanism or feminism - would be appreciated. If you have some recommended reading that would also be appreciated (Misan, I read A Thousand Splendid Suns - it was great...a post on Afghani feminism...akuko nke mbu...is forthcoming).
Oh, and Happy International Woman's Week!
so, I got tired of seeing the image below of the Ghana Black Stars fan whenever I visited my blog and thought that it is high time I put up another post. since this is the month of love and US black history month - i would like to speak to a topic that has affected american black females for centuries and as i am starting to witness, african females as well.
last night, after simultaneously studying and keeping my eye out for the wisconsin and hawaii primaries (more of the latter than the former), I caught the last half or so of BET's "25 Events that (mis)shaped Black America." Under normal circumstances, I would not be caught dead watching late night BET, but my brother was watching it, the show seemed to have some usefulness, and I am a big Michael Eric Dyson fan.
One of the (mis)shaping events that caught my attention was the the hyper-sexualization of the black female or the misogyny of the black female as portrayed by hip-hop. First, I found it interesting that BET should admit that the negative effects of the portrayal of african american females as b****es and hos since they are one of the major exporters of these images. But I started to think that the hypersexualization of the black female is not limited to hip-hop music as well.
Earlier in the week (or maybe last week), I was put off a bit by cover story on the BBC news website, "Ivory Coast's 'big-bottom' Craze." Initially, my annoyance stemmed from the fact there are other more pressing concerns in Ivory Coast other than bum and breast enhancement creams and some song's tribute to big bottoms. But after this BET special, I began to wonder whether the African continent also exports this idea of a hypersexualized black female thru its music in similar ways to Nelly and Ludacris. Granted the history of the black female in the US, especially in light of forced sexual relations with white slavers and the simultaneous systemic emasculization of American black men during slavery stands in stark contrast to the situation on the continent (or I may be wrong here)...but how different is Meiway's call to shake our lolo's from Baby Huey's insistence that the bum should be popped, locked, then dropped? The videos are strikingly similar. I also wonder, is this an anomaly amongst blacks - I mean, are there other people groups that dissect and exploit intimate parts of the black female physique in order to sell records or initiate dance crazes? Africans have also had their own share of exploiting female sexuality by colonial masters (remember Hottentot Venus).
Of course, before I close, I must admit, that although I hate the images of half-naked black women on BET and Awilo's soft porn music videos, I can't help but play some of these catchy tunes on my iPod during a workout. I'm a huge fan of soukous music - HUGE. Additionally, I never leave the house without making sure that my jeans properly "fit" and accentuate what needs to be accentuated. I have struggled alot with the issues I just raised - especially the added dimension of African music turning towards lurid depictions of black women. A part of me says, its just music - not only that, but it's music with an irresistible beat that I cannot find in other genres. And perhaps, in some cases, there is a genuine appreciation for the black female physique. But then another part of me, the one that started this post, wonders if I am contributing to the degradation of black women by espousing any such music. I am slowly leaning towards the latter....
I would really really really like to get your opinions on this topic (also, let me know if I should clarify a bit). Let me know if you think it is "just music" or whether we have allowed the hypersexualization of black women to go too far or whether I have approached this topic incorrectly in comparing the African American situation with that of the continent.





this is part three (akuko nke ato) of a series of posts on african feminism. (for those of you who take Igbo language and grammar seriously, i apologize in advance for the absence of dots under certain vowels, if some can show me how to do this on blogspot - that would be very helpful).
I was reading BBC this morning in which, of course the Kenyan crisis featured prominently on the Africa page. It truly baffles me how, Kenya, once an exemplar of a peaceful and stable African nation, could collectively go mad in the span of a few days. it's deeply disheartening. it only serves to fuel the idea that the African continent is prone to such violent outbursts and is need of protection (according to the USAFRICOM website more on them in a later post and Bush's planned visit to Africa - minus Nigeria).
Amidst stories of gun-slinging and bows and arrows came up another weapon of war - rape. It should disturb our most common sensibilities that the female body (and sometimes male) is considered fair playing ground in war, conflict, and other clashes. It is literally universal that this happens. According to the article, formal reports of rape have more than doubled in some places rendering hundreds of women the living casualties of war. While trying to find an end this conflict, special attention should be paid to the most vulnerable - women. Additionally, more needs to be done in order to shed light on why this phenomenon happens and how can we prevent it. If anyone has any interesting reading suggestions, you are more than welcome to share. If I find anything, I will post in an addendum. I simply wanted to bring light to the issue.
So, what does a Nollywood film and wartime rape have in common. Well, for those of you who are so inclined to watch Naija films, I would encourage you to check out this film, Silver Stone (yes, part 1 and 2), starring Dakore Egbuson, Bimbo Akintola, Fred Amata, and Mike Ezuruonye. Besides having an awesome cast (woohoo! Mike and Dakore) it sheds light on some of the long-term consequences of wartime rape, using the Biafran war as the example and its effects on families decades later. The film is written by a budding producer in the Nollywood scene, Uche Ice - and I look forward to more of his works in the future. I would especially encourage you to take a peek at the interviews with actors/actresses, producer, and director. What is especially comforting is that the movie project was initiated by a Nigerian male sensitive to the extensive damage of wartime rape on both the female and the rapist. I think that Uche Ice is an African feminist, or at least one in the making...and much kudos on this particular film.
Today is probably the first time I checked out an nytimes.com blog. I usually go for the frontcover stuff. However, this particular entry was difficult to pass over.
I had hoped that my next African feminism entry would be later in the month, but I guess I could not help myself (oh, and I'll eventually respond to the tag from Ore).
It was only recently (say like a year or two ago), that I found out that female circumcision is still practiced in Nigeria amongst some groups, including Igbos. (Yeah, I was shocked about the latter, for even my even my cultural consultants, i.e. my parents, were unaware that it is practiced).
Of course the witness of many, including within the Nigerian community, testify to the practice being repressive and another means to subjugate women physically, sexually and otherwise. Additionally, there is evidence that it leads to adverse birthing outcomes and increased HIV/AIDs transmission, through the use of infected materials.
I am also aware of the arguments for FGM, which before reading the nytimes.com entry, I had only heard from women on the ground who state that is a part of their culture and that it no different from male circumcision, tatooing, breast augumentation, or cutting the umbilical cord to the point of creating a navel (belly button) in infants.
However, this is the first time I have seen academia address and advocate these arguments. In this case, it was from a post-doctoral candidate who traveled back to Sierra Leone in order to undergo female circumcision.
Personally, I am not against her decision for she felt that to do so would be empowering, both as a woman and as a member of the Kono. However, I am not comfortable with having it as standard practice amongst girls who are not at the age of consent. Even so, if one were to say the age of consent is 18, I am sure there are other very real pressures on women to perform the practice that may seem like coercion (threat of being labeled an outcast in the family and community, etc.). The decision of a post-doc to spend how many hundreds of dollars traveling back to Sierra Leone to undergo circumcision is on very different playing field from a female child or young woman who's social and financial well being is predicated on her willingness to adhere to a practice she may not agree with.
So what's the bottomline here? Well, more power to Fuambai Ahmadu for presenting a viewpoint that is definitely against the grain in the West. I am always for hearing out an alternative explanation. However, as women and as people, we also need to be careful as to whether our personal efforts to liberate ourselves could run the risk of creating a problem for others. Ahmadu, go and do you, but, please, not at the expense of the African girl-child.
oh and "akuko nke abuo" means story part 2 or the second part....and I know, the dots under the u and o are missing...if you know how I can get those characters...let me know.
First of all, let me admit, that I am no where near qualified to talk about this subject...but it's a blog....
A few days ago, my dad admitted that he was a feminist - which he is by deed, but I never thought he would say it, out in the open. He was surprisingly matter-of-fact about it - or maybe I was just surprised at his choice of words. This for most would be a hard concept to grasp, I mean a tried-and-true Ohuhu man embracing such a so-called "Western" concept. But it happens. And from time to time I catch one or two other Nigerian men taking on the title of "African feminist. (But let me add, that women are just as likely to resist the feminist movement as well)
I am not yet sure how I feel about the words of African feminism and a need to distinguish it from feminism in general. It seems to me that the whole idea of having a separate "African feminism" was in order to distinguish from the bra-burning, female-on-female loving, i-don't-have-to-cook-anymore brand that had been associated with the West - which I think is an extreme portrayal that has been propagated to the detriment of more conservative liberals (anything is possible...). The root of feminism lies in the fact that being the weaker sex does not mean we have to be weaker people, which i think is the goal of both African and Western feminist movements. But for the purposes of discussion of feminism and its relevance to specific issues I have come across, I will stick to African feminism.
Why the recent interest in African feminism? Well, besides my dad's recent admission, I have been thinking a lot about my future, what I want to do, when I want to do it and suitable role models. Additionally, I have entered the blogosphere recently - and its a topic that I see over-and-over again: from V-days to BBA's embrace of on-camera rape.
Inevitably, the discussion of marriage reigns prominent in my own discussions of the future and posts on African womanhood. According to my dad, marriage is good, but working on pursuing my dreams, no matter how lofty is even better. My mom has joined the band-wagon, but the large majority of Igbo women in my life think otherwise. I have had this discussion with others, younger and older and it is quite disconcerting that many have decided to temper their really exciting goals for their lives because of pursuit of marriage. If I were to do so as well, that means that my attempts making a unforgettable, positive impact on the world (like I said, lofty), would have to be made between now and age thirty. Because after that, I would be too busy being married.
So what does African feminism mean to me, now that I, too, have admitted it? It means making a difference whether as a Miss or Mrs. I, and my significant loved one, definitely think that such is possible.
(Sorry for the cliches, also rushing to class). I've seen so many others do it - married (Akunyili, Iweala) or unmarried (sorry, most are personal friends, won't mention their names here).
Like I said in the title, this is just a first of many posts on African feminism, as hinted in Igbo (don't be fooled, my writing skills in Igbo are far better than my Igbo verbal skills....and yes, even though I was born and raised in the US - I can write Igbo...let go of your stereotypes). There are so many topics to cover, like who a woman belongs to when married, Nigeria's incredibly high birth rate, education (like my dad being told that he should not spend so much money on my education because I will eventually get married and the benefits will go towards another family...and you thought this type of stuff only happens at home - we carry it with us...or like one of my younger female inspirations who is applying to undergraduate colleges and the mother thought she should not pursue medicine but rather nursing because she might get married after graduating and need a job...hey but nurses are amazing, though) So many, so many....